ARLESS DAY

BORN:

1951, Baton Rouge, Louisiana

EDUCATION:

1972

Graduated from the Ringling College of Art and Design, Sarasota, Florida

SELECTED SOLO EXHIBITIONS:

2022

Morris Museum of Art , August, GA

2019

Shain Gallery,Charlotte, NC

2017

Shain Gallery, Charlotte, NC

2015

Augen Gallery, Portland, Oregon

Hidell Broooks Gallery, Charlotte, North Carolina

2014

Hidell Brooks Gallery, Charlotte, North Carolina

2013

Daniel Stowe Botanical Garden, Belmont, North Carolina

Augen Gallery, Portland, Oregon

Hidell Brooks Gallery, Charlotte, North Carolina

2011

BMG First Look, Bernarducii Meisel Gallery, New York, NY

Hidell Brooks Gallery, Charlotte, North Carolina

2010

Brunner Gallery, Covington, Louisiana

2009

Augen Gallery, Portland, Oregon

Hidell Brooks Gallery, Charlotte, North Carolina

2008

Mason Murer Fine Art, Atlanta, Georgia

Brunner Gallery, Baton Rouge, Louisiana

Hidell Brooks Gallery, Charlotte, North Carolina

2007

Mary Pauline Gallery, Augusta, Georgia

Brunner Gallery, Covington, Louisiana

2006

Augen Gallery, Portland, Oregon

Brunner Gallery, Baton Rouge, Louisiana

Hidell Brooks Gallery, Charlotte, North Carolina

2005

Hidell Brooks Gallery, Charlotte, North Carolina

Mary Pauline Gallery, Augusta, Georgia

2004

Augen Gallery, Portland, Oregon

Gallery M, Denver, Colorado

2003

Gunnar Nordstrom Gallery, Seattle, Washington

Hidell Brooks Gallery, Charlotte, North Carolina

Somerhill Gallery, Chapel Hill, North Carolina

2002

Hidell Brooks Gallery, Charlotte, North Carolina

Mary Pauline Gallery, Augusta, Georgia

2001

Augen Gallery, Portland, Oregon

2000

Jerald Melberg Gallery, Charlotte, North Carolina

The American Art Company, Tacoma, Washington

1999

Augen Gallery, Portland, Oregon

Belmont University, Nashville, Tennessee

SELECTED COLLECTIONS:

Mint Museum of Art, Charlotte, North Carolina
Texaco Incorporated, White Plains, New York

Hunter Museum of Art, Chattanooga, Tennessee

Columbus Museum of Arts & Sciences, Columbus, Georgia

Gibbes Museum of Art, Charleston, South Carolina

Morris Museum of Art, Augusta, Georgia

Marianna Kistler Beach Museum, Manhattan, Kansas

Hickory Museum, Hickory, North Carolina

Art in Embassies Program, Washington, District of Columbia

The Ogden Museum of Art, New Orleans, Louisiana

David and Lucille Packard Foundation, Los Altos, California

Bank of America, Charlotte, North Carolina

Ringling College of Art and Design, Sarasota, Florida

Senator Russell Long’s Office, Baton Rouge, Louisiana

Senator Bill Cassidy’s Washington, DC

IBM Corporation, Raleigh, North Carolina

AT&T, Atlanta, Georgia

Charlotte Bobcats NBA, Charlotte, North Carolina

Federal Reserve Bank, Charlotte, North Carolina

Blount, Incorporated, Montgomery, Alabama

Garden State Park, Cherry Hill, New Jersey

Stroebe-Zine Corporation, Portland, Oregon

BASF Corporation, Charlotte, North Carolina

Pappas Properties, Charlotte, North Carolina

Price Waterhouse, Charlotte, North Carolina

Kennedy, Covington, Lobdell and Hickman, Attorneys, Charlotte, North Carolina

Troutman and Sanders Attorneys, Washington, District of Columbia

Guest Quarters Hotel, Charlotte, North Carolina

Fidelity Investments, Charlotte, North Carolina

SELECTED BIBLIOGRAPHY:

2014

Contxt.,Ringling College of Art and Design

Fox-Smith, James, Country Roads, Cover Story, Baton Rouge, Louisiana,

2012

The Gettysburg Review, Gettysburg, Pennsylvania,

Front and back cover with eight addition images

2010

Janet Batet. The Landscape: That Window To The Human Soul, Art Districts Magazine,

  Miami, Florida, April-May.

2009

Fox-Smith, James. Country Roads, Cover Story, Baton Rouge, Louisiana, February.

ARLESS DAY - page 6

2008

Faure, Stephen.  “Lost In His Work”, Inside Northside Magazine, Mandeville, Louisiana,               

  July/August.

2006

Fox-Smith, James. Country Roads, Cover Story, Baton Rouge, Louisiana, June.

2004

Bean, Shaw.  The Florida Contemporary.”, The Florida International Magazine., Miami, Florida,

  October.

Frontier Magazine, Denver, Colorado, “Arless Day”, May/June: Art Experience.

2002

Stone, Sandra.  “Scale and Illusion.”, Arless Day: Recent Collages, Exhibition Catalogue, Augen

  Gallery, November.

2000

Gruber, Richard, Ph.D.  “Dream Journey”, Arless Day, Exhibition Catalogue, Jerald Melberg,

   Galllery, Charlotte, North Carolina, September.

1999

Mayfield,Mark.  “Day Dreams”, Southern Accents, Birmingham, Alabama, January/February:

  64-67.

1996

Arial, Kate Dobbs.  “A Collage Montage.”, The Independent Weekly, Charlotte, North Carolina,

  January 24.

“The Sounding Room. Arless Day: Recent Collages.”, “Arless Day: Recent Collages.”Exhibition

  Catalogue, Augen Gallery, Portland, Oregon, June.

1995

Day, Jeffrey. “Collages Explore Interior Spaces.”, The State Newspaper, Columbia, South

  Carolina, February 26.

Twardy, Chuck.  “Fragments of Collage.”, News and Observer, Charlotte, North Carolina,

   December 22, p.19.

1994

Leland, Nite and Williams, Virginia Lee.  “Creative Collage Techniques”, p.39. North Light

  Books, Cincinnati, Ohio.

Day’s Collages Blend Architecture Artistry.”, The Oregonian, Portland, Oregon, September, 30.

1993

Smith, Shaw. “Constructing The Best Of  All Possible Worlds.”, Arless Day: Recent Collages,

  Exhibition Catalogue, Jerald Melberg Gallery, Charlotte, North Carolina, October.

1989

Seawright, Sandy. “Exhibits: Think Steel, Paradise.”, Arless Day: Recent Collages., Charlotte

  Observer, Charlotte, North Carolina, April.

1987

Ritts, Edwin E. “Directing Natures Energy.”, Arless Day: Recent Works, Exhibition Catalogue,

  Jerald Melberg Gallery, Charlotte, North Carolina.

1986

Price, Ann. “Day - Realist or Surrealist?”, State - Times, Baton Rouge, Louisiana March