James "Mike" Bennett, born in Robersonville, North Carolina, in 1958, is an artist whose work embodies the resilience and self-reliance that have marked his life. Mostly self-taught, Bennett began drawing at an early age, showing a natural talent that led to a scholarship at the North Carolina School of the Arts in Winston-Salem for the years 1975-1976. During his time at the school, Bennett crossed paths with artist Anthony "Tony" Griffin, the brother-in-law of renowned fresco artist Ben Long. These connections were formative, as Bennett spent his summers in the mountains with Long, honing his skills in drawing and painting while assisting with the mixing of lime plaster for the celebrated fresco "The Last Supper" in Glendale Springs, NC. Despite these significant influences, Bennett's journey as an artist has been largely self-directed, characterized by a commitment to practice and a passion for his craft.

Bennett's work is a testament to his deep connection to the local communities of eastern North Carolina, where his murals and paintings can be found in homes, businesses, and churches. He has adorned more than eight churches, adding a spiritual and communal dimension to his artistic legacy. His style reflects a blend of influences from both old masters and contemporary artists, such as Jeffery Mims, Chuck Kaspner, Tony Griffin, and Ben Long. These elements are integrated into his own distinct approach, capturing the traditions, landscapes, and people of eastern North Carolina with a realism that often borders on the documentary.

At the heart of Bennett's work is a desire to convey the dignity and individuality of his subjects, particularly in his portraits. These are not mere likenesses but explorations of character, often revealing the personality and spirit of the individuals he portrays. He provides a glimpse into the lives and environments of the people and places he knows so well. Driven by a passion for creating art that resonates with authenticity and emotional depth, Bennett's commitment to his craft and community is evident in every piece he produces, making his work an integral part of the cultural fabric of eastern North Carolina.